![]() It started out as a coping mechanism for a lot of pain and suffering in my life and thankfully transitioned into a source of real joy. “I got enchanted with make-believe, pretending. Webber started out in commercials and eventually made the transition to feature films like “Snow Day,” “The Hottest State” and “Scott Pilgrim vs. And thankfully I had a mother who was always encouraging and instrumental in me believing I was capable of doing whatever I set out to do in life.” “So, it felt like a natural ability of mine and I decided to run with it. “When I was a teenager, I think, I realized that I’d been hustling to get by for so long, pretending to be something that I was not,” he says. Webber believes that being forced to live by his wits as a youngster contributed to his ability to perform before the cameras. For me, it’s about the work and being a good person.” “It’s obviously a completely different world than Los Angeles, but I’m forever grateful for my upbringing because it makes the trappings of success mean not too much at all. Some of the most amazing, beautiful, compassionate people I know live in Kensington. “Man, I love Philly so much,” says Webber, who continues to donate his money to homeless causes. Honkala went on to be a success – she was the vice-presidential nominee of the Green Party in the 2012 presidential election. Still, Webber has fond memories of the city where his mom still lives and has become a leading advocate for the homeless. “I remember one time, our door was kicked down by kids in the neighborhood because I was friends with a Puerto Rican. “Fishtown now is a hip and a happening scene but it wasn’t when I lived there,” the actor says. Webber and Honkala lived in various parts of North Philadelphia, including Kensington and Fishtown. “Almost my entire time in Philly was tough, very tough.” The pair wound up spending about two years living in cars and abandoned buildings. Webber’s mother, Cheri Lynn Honkala, found it nearly impossible to land a job. Born in Minneapolis, Webber and his mom moved to Philadelphia when he was 10 years old and, almost immediately, encountered difficult times. Webber certainly could relate to his character’s struggles to stay afloat financially. I think this movie plays in that world and asks the audience to do their own moral inventory about how far they’d go and what they are capable of.” Or playing the lottery and hoping to hit the big one. For some, that translates into working jobs they don’t like. “Most people have to about the lengths they’ll go to provide for their families. ![]() “The reality of the world today is that the majority of us are living paycheck to paycheck. “It’s the main hook of the film,” Webber says. Elliott might have crazy challenges but he acts as a stand-in for wage slaves around the world who are forced to work long hours to make ends meet. The socially relevant message at the center of “13 Sins” also captured Webber’s imagination. So it was fun playing with that, plugging myself into a certain level of panic and fear.” “The situations that I find myself in lend the movie a sense of urgency and energy. “The fun thing with this movie was that … I was doing that in this big genre film with a pulsing beat to it, where the stakes keep getting higher and higher. “My approach always is to be as truthful as possible and to convey as an authentic portrayal of a character as possible,” says Webber, 33. Elliott is ordered to kill a fly and make a child cry, but soon he’s asked to commit arson, mouth off to cops and drag a corpse through the streets. Then, out of the blue, Elliot receives a phone call from a stranger who promises to make him a millionaire if he agrees to 13 challenges. Not only is he drowning in debt but his girlfriend (Rutina Wesley) is pregnant and he’s responsible for the care of his mentally challenged brother (Devon Graye) and elderly father (Tom Bower). In “13 Sins,” a remake of a 2006 Thai thriller “13: Game of Death,” Webber plays Elliot Brindle, a nice guy who’s fired from his job at the worst possible time of his life.
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